
An Interview with Shaun the Sheep Producer and Animator Peter Lord
A dark, amorphous figure stands by a blackened pewter cauldron and is more like a ghost than a homogeneous form.…
Read article →Tim Woodward originally comes from Bristol in the United Kingdom and has also written for Rushes, Sabotage Times and Studio Magazine. He is based in Cornwall, the land of fantasy novels and lives with some guys who know how to gallivant and appreciate British 90s pop music. He appreciates the dog at Falmouth Town Barber and hopes to co-start a film/music magazine or shop or website.

A dark, amorphous figure stands by a blackened pewter cauldron and is more like a ghost than a homogeneous form.…
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A young woman cackles to herself and moves around a flat somewhere in New York City with a lump for…
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Graffiti and urban street art, whether symbolic to many or unwelcome to some, excluding Led Zeppelin’s Physical Graffiti, has had…
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Popular music has always featured animals, way back to the days of iconic blues-men like Leadbelly who rhapsodized about farmyard…
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Photo by wikido on tumblr Music has innumerable possibilities, taking emotional states and even metaphysical matters into the listening experience.…
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The wind blew down on a harsh ground on a summer’s day as a form appeared in a figurative landscape,…
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A man moves dreamily through a primarily black and white coloured room that matches the eerie, static darkness of the…
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In this day and age, any visitor to the Old Truman Brewery in East London will be enticed by the…
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We’ve all arrived at the time of year when acceptance comes before style: no more ghastly Speedo briefs. The vows…
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